Conducting a school ensemble

A practical session led by Eiron Bailey, Headteacher at Trinity Academy, looking at conducting technique and practice with a student instrumental ensemble.  The session will include a review of basic conducting technique and live feedback.

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Delivered by the Trinity Team and supported by corporate MTA member, Steinberg.

Approaches to primary music curriculum

This panel session will be led by Kirsten Cunningham, local primary music lead, whose choir will also perform later in the afternoon.  Additional panellists include Mimi Munro (National Music Advisor for Music, IAPS) and others tbc.

How the key to whole school initiatives can be found in the music department

How many of your senior leaders had a great music education? Who really understands what you do and why you do it? Rather than recoiling at the sight of seemingly irrelevant whole school initiatives, become proactive, lead the way and build trust. Here’s a tool kit to help change perceptions and make your department the go-to place to see and hear best practice in action. Oodles of take-aways reflecting Rosenshine’s Principals, Dual Coding, Bloom’s Taxonomy, Oracy and Integrated Pedagogy.

Engaging KS5 learners in challenging content

Led by James Manwaring and Jonnie Bridges, this session will include:

  • Wider listening to expand your students’ knowledge
  • Empowering students to find, evaluate and appreciate unfamiliar music
  • Relating listening to composition
  • Practical methods to improve outcomes for all KS5 students

Partnerships and choral commissioning

Join Alexander L’Estrange in conversation with Kirsty Barry and Catherine Barker—two dynamic commissioners and music teachers who have brought his large-scale choral works to life in their communities—for an engaging, practical session on choral commissioning and partnership-building. Drawing on Kirsty’s recent premiere of Wellspring! The Way of Water at Wells Cathedral and the earlier success of Wassail! Carols of Comfort & Joy and lockdown’s Green Love! Songs to Save the World (both commissioned by Catherine and now widely performed), the session will explore the creative and logistical journey of commissioning new music, from concept to performance. Expect lively discussion, real-world advice, and the chance to sing excerpts from these vibrant works—perfect for anyone keen to bring fresh, inclusive repertoire into schools and community settings.

Key takeaways:

  • Understanding the process of commissioning new choral works
  • Practical tips for running large- and small-scale choral projects
  • Insights into engaging schools and children’s choirs in collaborative projects
  • How to foster meaningful partnerships between composers, conductors, and communities
  • Resources and ideas for integrating new music into your choral programming – including links to FREE resources and discount codes

Introducing the Music Literacy Network and musical phonics project

The term ‘music literacy’ refers not only to the ability to read and write music notation, but also to a broad range of musical competencies such as aural skills and musical comprehension. The Music Literacy Network was established in 2024 at the First Summit on Music Literacy held at the University of Cambridge, and aims to bring together performers, teachers, researchers and organisations in order to promote research into music literacy, and to advocate for music literacy in UK education policy.

This session introduces the Music Literacy Network to teachers, and will provide an opportunity to discuss how the organisation might best involve teachers and support their work. The session will also include an overview of a new research project which aims to give non-specialist EYFS, KS1 and KS2 teachers the skills to teach simple music literacy skills through a form of ‘musical phonics’.

Key takeaways:

  • Delegates will have the opportunity to get involved in a new organisation which aims to shape music education policy in the UK.
  • There may be an opportunity for delegates to be involved in future music education research projects.
  • Delegates will receive an introduction to current research on pedagogical approaches to teaching music literacy with particular focus on EYFS/KS1/KS2.

Building a co-curricular curriculum

When running a music department, it’s easy to fall into reactive rather than strategic thinking around the co-curricular: working with what you have rather than thinking about what it is you want!  This session will look at the co-curricular curriculum of two schools and provide strategies for planning, launching, evolving, and evaluating an exciting and inclusive co-curricular timetable.

Delivered by Naomi Charatan and Liz Gleed (Cathedral Schools Trust), you will leave the session with ideas for planning, launching and quality-assuring a co-curricular curriculum.

Demystifying Music Technology: inclusive tools and confident teaching

This practical session will explore how free and accessible music technology tools can enhance traditional music teaching, support a wider range of learners, and build teacher confidence. Drawing on real-world experience across mainstream schools, special schools, alternative provision, and more, the session will share simple yet powerful ways to integrate music technology into everyday teaching — without needing to be an expert or have access to expensive software.

Key takeaways:

  • A clear understanding of what music technology actually is and how it can support — not replace — traditional music teaching and learning
  • Practical knowledge of free, accessible music production tools that can be used in the classroom straight away
  • Strategies for making music technology inclusive and engaging for a wide range of learners, including those who may not connect with conventional approaches
  • Reassurance and encouragement for teachers who may experience imposter syndrome when it comes to music tech
  • Confidence-building through a hands-on demo that shows music tech is approachable, manageable, and creatively rewarding — even for beginners

Achieving a good grade in GCSE Composition: approaches with and without staff notation

Ed Watkins will present an approach to composition underpinned by learning through examples in a broadish range of music. This approach has been central to the music curriculum at the West London Free School, influenced by the model music curriculum and Ofsted research review, and led to exam success while nurturing pupil creativity.

Saturday 17th May

You can sing, but can you swing?

Join Alexander L’Estrange for a lively and inclusive workshop that brings jazz and pop to life for choral educators. Aimed at classically trained teachers and conductors, this session will demystify the art of swinging and grooving with choirs, making it fun and accessible for everyone. Through engaging, easy-to-follow exercises, you’ll discover how to add rhythm, energy, and a touch of jazz to your choral (or instrumental) practice, inspiring your students with fresh, dynamic sounds. Perfect for any educator looking to inject excitement and creativity into their rehearsals!

Key takeaways:

  • Engage Your Choir with Jazz & Pop: Learn simple techniques for bringing rhythm, swing, and groove to your classroom repertoire.
  • Practical, Easy-to-Use Exercises: Discover fun, hands-on activities that will have your students immediately engaged, no matter their musical background.
  • Teach Students to Feel the Groove: Gain confidence in teaching rhythm, phrasing, and dynamics in a way that works for both classically trained and newer singers.
  • Incorporate Popular Tunes: Explore how to adapt well-known jazz and pop songs for your choir, making rehearsals exciting while building vocal technique and stylistic awareness.
  • Resources You Can Use: Access sheet music, demo recordings, and discounts for Alexander L’Estrange’s jazz-inspired choral works, ready to bring to your school.

The ADHD Advantage: a choir designed for neurodiversity

With rising ADHD diagnoses, adaptive teaching is crucial in choir sessions, just as in classroom music. Karen Marshall, who leads two Key Stage 2 and two infant choirs across three schools with high percentages of neurodivergent children, will share her strategies. As one of her schools moves toward becoming an ADHD-friendly awarded school, she’ll discuss adaptations including movement-based songs, Makaton signing, Kodály musicianship with hand signs, and effective behaviour management techniques.

Key takeaways: accessible repertoire, behaviour and adaptive teaching techniques

Coaching strand – where to start?

Perfect for new Department Heads as well as ECTs, and those looking for a fresh boost of inspiration into their work.

Success at KS4 for classroom musicians

Not all students can access 1-1 music lessons. For many, their experience is limited to the opportunities we provide in school. Music can and should be a viable option at KS4 for all pupils. This session provides practical advice on supporting learners who come to KS4 music without a formal music education beyond the KS3 classroom.
Key takeaways: what you do at KS3 is vital, remain flexible, focus on what the student can do and build on that.

Getting to grips with technology

MTA committee and corporate members

Please note, some sessions will start at 11.10am and some will start at 11.30am, to allow for staggered lunch servings.

Five a Day: simple ideas for classroom activities (11.10am)

In this practical session, Dr. Charles Béquignon-MacDougall, Mike Simpson, and Ollie Tunmer will demonstrate simple, engaging, and effective ways to integrate musical activities into everyday teaching. Drawing on the innovative Five a Day course from the MuseClass platform, they will share creative ideas that can be easily adapted for a range of age groups and settings. Whether you teach primary or secondary, you’ll come away with some quick and easy ideas to engage your pupils in starter activities, plenaries, singing assemblies, or rehearsals!

Key takeaways:

  • Practical music integration in everyday teaching
  • Activities for starters, plenaries, singing assemblies, and rehearsals – all adaptable for all age groups
  • Engaging and inclusive ideas with minimal resources
  • The MuseClass Primary advantage: 600+ songs, structured lessons, and full interactive teaching resources at an outstanding price

Coaching stream – curriculum planning (11.10am)

Join MTA President, Catherine Barker, and President-Elect, James Manwaring, for all things curriculum.  Whether you’re in a single person department or leading music across a large network of schools, there will be useful and practical tips and solutions for all.

Developing musical understanding at KS3: balancing creativity and academic rigour (11.10am)

The term creativity is synonymous with things that are remarkable and original. That’s a tall order for experienced confident musicians, never mind students in the early days of acquiring and developing musical understanding. This session explores how well designed questioning and the active acquisition of knowledge through discovery, enable creativity and academic rigour to work hand in hand, without one being compromised for the sake of the other. Plenty of progressive ‘tried and tested’ take-aways to weave into your own practice.

Teacher training in music in primary and secondary schools (11.10am)

This panel discussion will explore teacher training in Music in primary and secondary schools. The panel will examine the recent changes to the Initial Teacher Training and Early Career Framework published by government in January 2024 and explain the different kinds of training that student music teachers get when they train as primary and secondary music teachers on employment based and University based programmes. The panel will include ITT providers and trainers, student teachers and early career teachers, and school mentors sharing their experiences of the music teacher training process. This session is ideal for any colleague working with student teachers on school placement, and early career teachers working in their departments.

An exploration of Music with Mr Gray (11.30am)

An introduction to the Music with Mr Gray resource and how it can be implemented into your own curriculum. The resource includes lots of play alongs for typical primary school instruments including Ukulele, Recorder, Tuned percussion, Boomwhacker and Guitar.

DJ-ing in Schools (11.30am)

James Stevenson is a music teacher, electronic music producer and DJ. In this session, he shares his experience in integrating DJing in the musical culture of his school, and explains the fundamentals of the art form, with practical, interactive demonstrations.

Key takeaways: learn what equipment and software you need to introduce DJing to your department, learn the basics of DJing; at least enough to stay one step ahead of the students!

Partnerships: developing best practice for partnerships across your school network (11.30am)

Join panellists from within the Cathedral Schools Trust, and further afield, to hear how effective partnerships can benefit your school.

Building voices, building communities: cultivating outstanding school singing

Drawing on experience from a range of school settings and many years of training and supporting music teachers to enhance singing in their own schools, Don explores practical strategies to create a thriving singing culture. This session highlights the interplay between curricular and co-curricular music, approaches to embedding singing into the curriculum, and techniques for supporting adolescent vocal development. Learn how to build and sustain school choirs while working alongside school leadership to provide transformative singing opportunities for all pupils.

The Independent Sector music department: challenges and opportunities

A problem-sharing round-table session for those in the independent sector. Delegates are encouraged to submit their questions in advance, and will be able to discuss them with a team of experienced Directors of Music from the independent sector. Led by Nicky Bouckley and Tim Garrard.

Coaching stream – extra-curricular activities

Join James Manwaring for tips on building an extra-curricular provision in your schools.  Once established, James will also share insights on maintaining its’ profile within the school community.

Next steps with Cubase

Trinity Academy team, supported by Steinberg

Jazz in the classroom

Led by Mark Armstrong, this session will explore creative ways to address fundamental aspects of music through the medium of jazz and jazz-based performance practice. The session will focus on internalising concepts of rhythm, melodic contour and harmony with scalable ideas for composition, performance and general musical understanding.

Courageous conversations: mentoring student and early career music teachers

The relationship between mentor and mentee is crucial for establishing professional confidence in student and early career teachers as they take their first steps in becoming autonomous music teachers. Mentors need to develop the art of having courageous conversations as they support and guide these less experienced colleagues, balancing delivering targeted advice and help with opportunities for more independent thinking. Sometimes the conversations can be difficult, especially when things do not go to plan in the music classroom. This practical workshop explores how to use coaching skills to have courageous conversations when mentoring student and early career music teachers, with opportunities for delegates to role play scenarios as both mentor and mentee.

Sunday 18th May

Singing is life

Fifth Element will give a brief introduction to the world of Barbershop with this practical session including tag singing, and key tools to get the most out of a performance.

Key takeaways include:

  • Gaining an understanding of the Barbershop Style
  • Vocal Techniques and Tools
  • Performance Skills
  • Information and resources on the wider Barbershop community